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Cake day: June 10th, 2023

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  • Eh, on one hand it’s overrated when people keep saying “it’s a better Persona, those fans just don’t play anything except Persona 5”, I think that’s stupid. TWEWY genuinely has a lot of flaws. A slightly too fast endgame, the second screen, etc.

    But for me the gameplay is just so goddamn fun and well designed (making your own set of attacks, combining input methods, all the risk vs reward difficulty systems), and it has a few really good ideas that make me want to recommend it to anyone. I imagine you can beat the game in like, 10 hours on Easy without optional fights too, so, it’s not a big time investment. (Though actually getting the game is difficult. Switch I heard sucks at controls, phone version doesn’t seem to work on new ones, emulating the DS probably sucks too)


  • The closest is Ghost Trick I guess? But frankly while being another masterpiece, it didn’t stick THAT much more than the others, after a month or two even the 10/10 games come to mind only if I think of a related topic.

    The most influencial would be Etrian Odyssey IV since it got me into giving JRPGs another go, after years of not being impressed by any of the classics (Final Fantasy 4-5, 6 kept my attention until the endgame, Golden Sun…), and now I basically beat them (mostly Atlus’ so far) on a bimonthly basis. I guess EO in general sticks the best, but it’s hard to label one game since I quickly went and started playing all of them.


  • Indie games in general have great OSTs, MGS:R and Persona (and SMT in general) are obvious popular picks.

    The World Ends With You is less mainstream (with one of the few gripes being the lack of boss-specific themes, at least in the DS original I played - but it makes up with the diverse overworld and normal battle themes), as is Etrian Odyssey.

    I think orchestra is mixed, it’s either the best fucking tracks ever (often when mixed with electric guitar), or they kind of blend with other orchestral tracks I know and don’t end up being unique enough.