No, just an implication towards the old lemmy.ml version of the community.
What I mean is, moving from a bad situation to an equally bad but improvable situation is still a good move. It might be better to have a small, unmoderated community than one governed by “pretend” moderators.
That said, if the above comment was pointing out a need to fulfill, as opposed to decrying the attempts at community replacement, then you could disregard my snide remark.
I mean, if your qualification for moderator includes “Not abusing powers to defend garbage extremist politics” then we currently have two communities that each have zero moderators.
I am one of the removed comments and just found out about it here. Does the Lemmy standard really not send direct messages to users when one of their messages was removed? If it was an actual Rule 1 violation (which of course, it wasn’t) I’d like to know.
There’s definitely a fair few Steam games that are 90% controller compatible but have some little launcher, and trying to get through it without some simple pointer is an annoying challenge.
The time sink was probably in prototyping for new ideas to serve as the core of the game, then in generating content that would be considered innovative and fun for people to use that core with. Games are often a moving target where they need to try things that don’t work before finding ideas that will last.
Somehow, even though I felt like I was following all the tutorial advice in the demo about how staggering worked, battles were taking an incredibly long time to finish.
I’ll admit the original had somewhat dumb writing at times, but it made up for it in snappy pacing, not having you linger on any one moment. The most fantastic moment of the original was zooming straight from the city overview down into the train station for instant action. For the remake, they seem to overload on nostalgia in order to take a 3-second shot in the first game, and wind it through into a 30-second orchestrally-scored scene; imo even going so far as to ruin that opening shot.
My situation was worse; I played through to Ending A, and decided to stop because it was miserable, both on a gameplay and a writing level. A fanatic for the game insisted it was about to get much better, and so I continued. It got much, much worse and the ending felt incredibly pointless.
I enjoyed some parts of it, but I’m the same way. I was often scouting the world for that one piece of that one vehicle option so I could continue playing the actual game. Ended up spending as much time reading online guides and maps as actually playing.
I tried Nioh, I think last I remember I came up against a boss that could instantly kill me in a single attack, at the end of a gauntlet of enemies. It wasn’t even that far into the game, so I just dropped it since it was clearly the exact kind of bullshit difficulty that Dark Souls is known for.
First time I’ve heard this take. Both stories were close competition for best expansion for me.
I feel like World unintentionally offered a better experience with the Defender set. I guess it was brought in to help people “fast forward” to Iceborne content. But I was appreciating it even just for playing through the main game. I would use Defender weapons, with no Defender armor, dealing far more damage than I should have at that point in the game, and monsters still took a good 15 minutes; about as long as I would ever want a fight like that to take without getting seriously bored.
If I ever return to try Rise, I’m a bit worried that it will feel grueling.
Always-online has not affected me much. What you describe above about pausing is a coding issue, not an attribute of online play. To my knowledge, Watch Dogs 2 and Deep Rock Galactic work the same way: People can join your session at any random moment, but before they do, you can pause the game as normally.
I have awareness as that one, but same issue as Insurgency as I mentioned; people who try to engage with the enemies will give away their position to the incredibly idle players, who then have a strong surprise advantage since the swamp has so many places to hide.
It doesn’t help that I’ve heard the developers have a somewhat toxic relationship with their playerbase.
Only one that comes to mind is Lugaru. The creator had this weird legal battle where someone stole the game, ported it to iOS, and the thief claimed because it was open source he was allowed to sell it.
I’ve been listening to some choice tracks from Final Fantasy XIV, mostly from the big epic finales. I probably should be excited for XVI, but I just reaaally don’t trust the action JRPG setup.
However, an even better soundtrack to me is Ori and the Blind Forest, as you mentioned - it has some epic bangers to it, but it’s also an incredible soundtrack even for the calm, peaceful tracks playing while exploring.
Credit to Nier Automata for what it’s worth…there’s some tracks I really like in there on their own, but…I honestly feel like those really good tracks just don’t often fit the gameplay. They have some hard-hitting vocal tracks playing while 2B is wandering the city or standing around, and it really warps the feel of the pacing. I mention it because it’s just an interesting example to me of “good music” not actually fitting as a soundtrack.
I feel like as I get older, I prefer action games that reward strategic placement and high level decisions, rather than the precise millisecond actions.
Things like bunny hopping/sliding in Apex, lean spamming in R6S, etc, tend to make most shooters unappealing to me. Even a game like Deceive Inc has the general idea of stealthy strategy, but in the end all that matters is landing headshots.
Theoretically, this would mean I’d like “realistic” squad warfare FPSes, but those aren’t really aimed for fun. Mostly I’d like an arcadey shooter with movement abilities, but one that has you make decisions between offense, movement, defense; not spam multiple at once.
I’ve already enjoyed the series on the 3DS, but this will likely mean sharing it with a lot of people I know!
Honestly, even if this is true, what staggers me is 1) That all of the Destiny 2 players I talked to somehow didn’t know about this, 2) That there’s no ingame guidance to point you to this since you literally can’t do anything else, and get forcibly booted into the first Lightborn mission on a return play.
Might be time to pull a “body cam policy” and take the fun out of moderating.